Working with symbols, playing with shadows, questioning the points of reference of identity: a woman weaves her web in an abandoned factory to ‘poetically inhabit’ the world.

Working with symbols, playing with shadows, questioning the points of reference of identity: a woman weaves her web in an abandoned factory to ‘poetically inhabit’ the world.

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Eduardo Peña and Angel Ruiz are two Spanish actors who are on tour in Argentina. They try to achieve success there with a play that speaks of man and his passage through life, but the spectators are becoming increasingly scarce. One day his old car breaks down and they stop at Zapallares, a lost town. There, on the eve of the municipal elections, they meet an old friend, Professor Roberto Tolosa (Dario Grandinetti), critical of the construction of a new hotel and with the political class of the place and that will try to reopen a theater with the help of their fifth-year students, despite opposition from politicians.

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What do you tell your dead parents? Combining family archives and glimpses of today, the filmmaker weaves together fifty years of his life and the socio-political history of Chile. The montage wanders through the ages, between light and shadow, without ever leaving the joy. 　　[FR] Que raconter à ses parents morts ? Associant archives familiales et éclats d’aujourd’hui, le cinéaste entrelace cinquante ans de sa vie et d’histoire sociopolitique du Chili. Le montage divague à travers les âges, entre ombres et lumières, sans jamais quitter la joie.

On the Day of the Dead, a 10-year-old kid anxiously awaits a visit from his grandfather from the afterlife to finally meet him

Soledad, a traditional healer, lives with her grandson Jose in an Indigenous Village. Soledad's daughter, Adela, moved to Mexico City many years ago and now wants Jose to join her, but Soledad believes the boy is better off in the village.

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